{"id":8257,"date":"2025-09-05T21:06:08","date_gmt":"2025-09-05T18:06:08","guid":{"rendered":"https:\/\/berru.org\/?p=8257"},"modified":"2025-09-05T21:51:55","modified_gmt":"2025-09-05T18:51:55","slug":"bira-sure-belgeseline-sansur","status":"publish","type":"post","link":"https:\/\/berru.org\/index.php\/2025\/09\/05\/bira-sure-belgeseline-sansur\/","title":{"rendered":"‘B\u00eera S\u00fbr\u00ea’ Belgeseline Sans\u00fcr"},"content":{"rendered":"

HABER MERKEZ\u0130<\/strong>– Amed’in tarihi Sur il\u00e7esinde 2015-2016 y\u0131llar\u0131nda ilan edilen soka\u011fa \u00e7\u0131kma yasaklar\u0131 sonras\u0131 ya\u015fanan y\u0131k\u0131ma \u0131\u015f\u0131k tutan ve hen\u00fcz sadece fragman\u0131 yay\u0131nlanan “B\u00eera S\u00fbr\u00ea” belgeselinin sanal medya hesab\u0131na eri\u015fim engeli getirildi.<\/p>\n

Belgeselin (@birasure) hesab\u0131n\u0131n T\u00fcrkiye’den engellenmesi karar\u0131, Bilgi Teknolojileri ve \u0130leti\u015fim Kurumu’nun (BTK) talebi do\u011frultusunda al\u0131nd\u0131. Instagram, yasa\u011f\u0131n gerek\u00e7esine dair herhangi bir bildirimde bulunmad\u0131.<\/p>\n

Belgesele dair<\/strong><\/h3>\n

Sur il\u00e7esi, 2015-2016 y\u0131llar\u0131nda d\u00fcnyan\u0131n en uzun s\u00fcreli soka\u011fa \u00e7\u0131kma yasa\u011f\u0131na tan\u0131kl\u0131k etti. \u0130l\u00e7enin 6 mahallesinin etraf\u0131 2 Aral\u0131k 2015 tarihinde demir bariyerlerle \u00e7evrildi. Mahallelere giri\u015flere 2022 y\u0131l\u0131n\u0131n sonlar\u0131na kadar izin verilmedi. Sonras\u0131nda peyderpey bariyerler kald\u0131r\u0131ld\u0131 ve 6 mahallede yeni bir “in\u015fa” s\u00fcreci ba\u015flad\u0131.<\/p>\n

D\u00f6nemin ba\u015fbakan\u0131 Ahmet Davuto\u011flu, s\u00f6z konusu s\u00fcreci “Sur’u Toledo gibi yapaca\u011f\u0131z” \u015feklinde tarif etti. Ancak Sur, Toledo olmad\u0131\u011f\u0131 gibi k\u00fclt\u00fcrel asimilasyonun uyguland\u0131\u011f\u0131 merkezlerden biri oldu. Soka\u011fa \u00e7\u0131kma yasaklar\u0131 sonras\u0131 kentin haf\u0131zas\u0131 hedef al\u0131nd\u0131.<\/p>\n

Yasaklar sonras\u0131 ba\u015flat\u0131lan y\u0131k\u0131m \u00e7al\u0131\u015fmalar\u0131nda aralar\u0131nda kilise, cami, konak, hamam gibi bir\u00e7ok tescilli yap\u0131 yok edildi. T\u00fcrk M\u00fchendis ve Mimar Odalar\u0131 Birli\u011fi’nin (TMMOB) 2019’ta yay\u0131mlanan raporuna g\u00f6re; 334’\u00fc tescilli olmak \u00fczere 3 bin 569 yap\u0131 y\u0131k\u0131ld\u0131. Ancak bu say\u0131n\u0131n \u00e7ok daha fazla oldu\u011fu tahmin ediliyor.<\/p>\n

Haf\u0131zaya \u0131\u015f\u0131k tutuyor<\/strong><\/h3>\n

Y\u0131k\u0131lan yerlerde cezaevi mimarisinde yap\u0131lar in\u015fa edildi. Tek tip ve tek renk yap\u0131lar\u0131n etraflar\u0131 ise tellerle kapat\u0131ld\u0131. “Yenikap\u0131 A\u00e7\u0131k Hava Ya\u015fam ve K\u00fclt\u00fcr Merkezi\u201dne \u00e7evrilen caddede in\u015fa edilen i\u015f yerleri sermayedarlara pe\u015fke\u015f \u00e7ekildi. Ayr\u0131ca s\u00f6z konusu yerler, d\u0131\u015far\u0131dan getirilen mankenlerle adeta podyuma \u00e7evrildi.<\/p>\n

“B\u00eera S\u00fbr\u00ea\/Sur’un Haf\u0131zas\u0131” belgeseli de tarihi sokaklara d\u00f6n\u00fck sald\u0131r\u0131lardan beton duvarlarla ku\u015fat\u0131lm\u0131\u015f \u201cyeni\u201d mahallelere uzanan bir haf\u0131za yolculu\u011fudur.<\/p>\n

Belgesel, kentin baz\u0131 mahallelerinde tarihi ta\u015f sokaklar\u0131n nas\u0131l yok edildi\u011fi, kom\u015fuluk ve dayan\u0131\u015fman\u0131n nas\u0131l hedef al\u0131nd\u0131\u011f\u0131n\u0131 g\u00f6steriyor. Kentin \u201cyeniden in\u015fa\u201d politikas\u0131yla nas\u0131l tan\u0131nmaz hale geldi\u011fini ve kimliksizle\u015ftirildi\u011fini ortaya koyuyor. Kamera, sadece y\u0131k\u0131lm\u0131\u015f evleri de\u011fil, o evlerle birlikte da\u011f\u0131lan ya\u015famlar\u0131, silinmek istenen haf\u0131zay\u0131, kaybolan sesleri de kayda al\u0131yor.<\/p>\n

“Eski”nin etraf\u0131na \u00f6r\u00fclen duvarlar, yaln\u0131zca bir mimari fark\u0131 de\u011fil, bir haf\u0131zaya dayat\u0131lan geleceksizli\u011fi de ortaya koyuyor. Yerinden edilen yurtta\u015flar\u0131n tan\u0131kl\u0131klar\u0131, “yabanc\u0131larla” doldurulan sokaklar\u0131n sessizli\u011fi ve yeniden kurulan d\u00fczenin tekinsizli\u011fi, izleyiciyi derin bir y\u00fczle\u015fmeye davet ediyor.<\/p>\n

“B\u00eera S\u00fbr\u00ea\/Sur’un Haf\u0131zas\u0131” belgefilmi, sadece bir belgesel de\u011fil, halen s\u00fcren bir yok sayman\u0131n, halen direnen bir belle\u011fin hikayesidir.<\/p>\n

Kolektif bir \u015fekilde haz\u0131rland\u0131<\/strong><\/h3>\n

Belgeselin y\u00f6netmenli\u011fini Mezopotamya Ajans\u0131 (MA) edit\u00f6rlerinden Azad Altay yapt\u0131. MA, Dicle F\u0131rat Gazeteciler Derne\u011fi, PEL Yap\u0131m ile y\u00f6netmen Veysi Altay’\u0131n katk\u0131lar\u0131yla \u00e7ekilen belgefilmin \u00e7ekimlerine 2021 y\u0131l\u0131n\u0131n ortalar\u0131nda ba\u015fland\u0131. Bir\u00e7ok gazeteci belgeselin \u00e7ekimlerine katk\u0131 sundu.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0Kaynak: MA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

HABER MERKEZ\u0130– Amed’in tarihi Sur il\u00e7esinde 2015-2016 y\u0131llar\u0131nda ilan edilen soka\u011fa \u00e7\u0131kma yasaklar\u0131 sonras\u0131 ya\u015fanan y\u0131k\u0131ma \u0131\u015f\u0131k tutan ve hen\u00fcz sadece fragman\u0131 yay\u0131nlanan “B\u00eera S\u00fbr\u00ea” belgeselinin sanal medya hesab\u0131na eri\u015fim engeli getirildi. Belgeselin (@birasure) hesab\u0131n\u0131n T\u00fcrkiye’den engellenmesi karar\u0131, Bilgi Teknolojileri ve \u0130leti\u015fim Kurumu’nun (BTK) talebi do\u011frultusunda al\u0131nd\u0131. Instagram, yasa\u011f\u0131n gerek\u00e7esine dair herhangi bir bildirimde bulunmad\u0131. […]<\/p>\n","protected":false},"author":2,"featured_media":8260,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","override":[{"template":"1","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_featured":"1","show_post_meta":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/berru.org\/wp-content\/uploads\/2025\/09\/303523-1.jpg","_links":{"self":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/8257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/comments?post=8257"}],"version-history":[{"count":2,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/8257\/revisions"}],"predecessor-version":[{"id":8261,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/8257\/revisions\/8261"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/media\/8260"}],"wp:attachment":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/media?parent=8257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/categories?post=8257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/tags?post=8257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}