Anabasis Yunancada “yeniden y\u00fckselerek geri d\u00f6nmek” anlam\u0131na gelir; eri\u015filmesi g\u00fc\u00e7 bir istikamete do\u011fru geri d\u00f6nen ya da yeniden y\u00fckselen bir gezginliktir. Bu anlamda bir gen\u00e7lik metaforudur bu. Anabasis, Pers \u00fclkesinde bir i\u00e7 sava\u015fa kat\u0131lm\u0131\u015f paral\u0131 askerlerin \u00f6yk\u00fcs\u00fcn\u00fc anlatan Yunanca bir kitab\u0131n ad\u0131d\u0131r. Bu kitab\u0131n yazar\u0131, paral\u0131 askerlerin komutan\u0131 olan Ksenofon’dur.<\/p>\n
O d\u00f6nemde paral\u0131 askerler vard\u0131; t\u0131pk\u0131 bug\u00fcn Afrika’ daki ya da Ortado\u011fu’ daki b\u00fct\u00fcn sava\u015flarda oldu\u011fu gibi, hatta Orta Avrupa’ da bile paral\u0131 askerlerle kar\u015f\u0131la\u015f\u0131rs\u0131n\u0131z. Bunlar siyasal d\u00fczeyde olup bitenlerle ger\u00e7ek anlamda ilgilenmeyen insanlard\u0131r; bir i\u015fverenin paras\u0131n\u0131 \u00f6dedi\u011fi bu askerler kan d\u00f6kme i\u015fini yerine getirirler. Ksenofon’un kitab\u0131 \u00f6rne\u011finde, Persli i\u015fveren b\u00fcy\u00fck bir muharebede \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fcr, di\u011fer b\u00fct\u00fcn Persli askerler da\u011f\u0131ld\u0131\u011f\u0131nda Yunan paral\u0131 askerler kendilerini Pers topraklar\u0131n\u0131n, g\u00fcn\u00fcm\u00fcz T\u00fcrkiye’ sinin ortas\u0131nda bulurlar ve sars\u0131lmaz bir kararl\u0131l\u0131kla evlerine do\u011fru gitmek, Kuzey’e do\u011fru yol almak isterler. Tam bir \u015fa\u015fk\u0131nl\u0131k i\u00e7indedirler ve evlerine gitmeleri gerekmektedir. Fikir budur. Terk edilmi\u015f, y\u00f6nlerini \u015fa\u015f\u0131rm\u0131\u015f haldedirler ve yine de kendi varl\u0131klar\u0131 olan \u015feye do\u011fru, sahici ger\u00e7ekliklerine do\u011fru gidebileceklerini d\u00fc\u015f\u00fcn\u00fcrler. Sizi siz yapan \u00f6zneyi asla kendi evinizi sa\u011flam bir \u015fekilde in\u015fa ederek ger\u00e7ekle\u015ftiremezsiniz, ayn\u0131 zamanda kendinize do\u011fru yola \u00e7\u0131kmay\u0131 da bilmeniz gerekir. Eski ev gelenekten ba\u015fka bir \u015fey de\u011fildir, yola \u00e7\u0131kmak eski eve yeni bir olumlama katar.<\/p>\n
Bu durumda kendi alan\u0131n\u0131z\u0131n yeni bir simgeselle\u015fmesiyle kar\u015f\u0131la\u015f\u0131rs\u0131n\u0131z. Ger\u00e7ek bir ev, d\u00fc\u015f\u00fcnce ve eylem maceras\u0131n\u0131n size terk ettirdi\u011fi ve neredeyse unutturdu\u011funda bulabildi\u011finiz evdir. \u0130\u00e7inde her daim kal\u0131nan ev ancak g\u00f6n\u00fcll\u00fc bir hapishanedir. Hayatta \u00f6nemli bir \u015fey meydana geldi\u011finde bu her zaman sizin i\u00e7in ger\u00e7ek ya\u015fam\u0131 olu\u015fturan \u015feye do\u011fru bir t\u00fcr yola \u00e7\u0131k\u0131\u015ft\u0131r, k\u00f6klerinden s\u00f6k\u00fclmedir. Anabasis, sizin yolu \u015fa\u015f\u0131rd\u0131\u011f\u0131n\u0131z, y\u00f6nelimsiz kald\u0131\u011f\u0131n\u0131z, fakat kendinize do\u011fru yol ald\u0131\u011f\u0131n\u0131z, bu y\u00f6nelimsizlik ve bu yola \u00e7\u0131k\u0131\u015f i\u00e7inde ger\u00e7ek benli\u011finizi bulaca\u011f\u0131n\u0131z ve b\u00fct\u00fcn insanl\u0131kla birlikte, e\u015fitlik\u00e7i simgeselle\u015ftirmenin evrelerini yarataca\u011f\u0131n\u0131z fikridir. Ksenofon’un Anabasis’inde muhte\u015fem bir sahne vard\u0131r. Paral\u0131 askerler Yunand\u0131r, dolay\u0131s\u0131yla denizcilerdir. Kuzeye do\u011fru giderek denizi bulurlar. Yukar\u0131 do\u011fru \u00e7\u0131km\u0131\u015flar, ayn\u0131 zamanda da t\u0131rmanm\u0131\u015flard\u0131r: Orada, tepenin \u00fczerinde, denizi g\u00f6r\u00fcrler. Hep birlikte, “Teselya! Teselya!”, “Deniz! Deniz!” diye ba\u011f\u0131r\u0131rlar. Eski denizci varl\u0131klar\u0131n\u0131 olumlayarak yeniden simgeselle\u015ftirirler. Gen\u00e7lik de budur, bu olmal\u0131d\u0131r: D\u00fcnya okyanusuna do\u011fru bir Anabasis.<\/p>\n
G\u00fcn\u00fcm\u00fcz gen\u00e7li\u011fi art\u0131k bu \u00f6zg\u00fcrl\u00fc\u011fe, imkana sahip oldu\u011fundan, gelenekle eli kolu ba\u011fl\u0131 de\u011fildir. Fakat bu \u00f6zg\u00fcrl\u00fckle, bu yeni gezginlikle ne yapacakt\u0131r? Yarat\u0131c\u0131 ve yo\u011fun bir yeni ya\u015fam a\u00e7\u0131s\u0131ndan ne yapabilece\u011finizi ke\u015ffetmeniz, kendi kapasitenize geri d\u00f6nmeniz gerekir. Yeni e\u015fitlik\u00e7i simgeselle\u015ftirmeye b\u00f6yle haz\u0131r olursunuz. \u0130n\u015fa etmek ile z\u0131dd\u0131 aras\u0131ndaki ili\u015fki budur. Yunan paral\u0131 askerler i\u00e7in bunun metaforu, \u00e7ift\u00e7i, asker ve denizci aras\u0131ndaki ili\u015fkiyi aniden ke\u015ffetmeleridir. “Teselya! Deniz!” \u00e7\u0131\u011fl\u0131\u011f\u0131, yery\u00fcz\u00fcndeki ya\u015fam maceras\u0131nda yitirip tekrar bulduklar\u0131 \u015feyin ne oldu\u011funu ifade eden bir \u00e7\u0131\u011fl\u0131kt\u0131r; fakat basit bir geri d\u00f6n\u00fc\u015f ya da tekrar anlam\u0131nda de\u011fil, yeni ve yo\u011fun bir anlamda kavu\u015fulan \u015feyin \u00e7\u0131\u011fl\u0131\u011f\u0131d\u0131r: Deniz art\u0131k eski halinde de\u011fildir, g\u00f6r\u00fclmemi\u015f bir deneyimin e\u015fitlik\u00e7i yeni payla\u015f\u0131m\u0131n\u0131n simgesine d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/p>\n
Alain Badiou \/ Ger\u00e7ek Ya\u015fam kitab\u0131ndan al\u0131nm\u0131\u015ft\u0131r<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Anabasis Yunancada “yeniden y\u00fckselerek geri d\u00f6nmek” anlam\u0131na gelir; eri\u015filmesi g\u00fc\u00e7 bir istikamete do\u011fru geri d\u00f6nen ya da yeniden y\u00fckselen bir gezginliktir. Bu anlamda bir gen\u00e7lik metaforudur bu. Anabasis, Pers \u00fclkesinde bir i\u00e7 sava\u015fa kat\u0131lm\u0131\u015f paral\u0131 askerlerin \u00f6yk\u00fcs\u00fcn\u00fc anlatan Yunanca bir kitab\u0131n ad\u0131d\u0131r. Bu kitab\u0131n yazar\u0131, paral\u0131 askerlerin komutan\u0131 olan Ksenofon’dur. O d\u00f6nemde paral\u0131 askerler vard\u0131; […]<\/p>\n","protected":false},"author":2,"featured_media":7812,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"1","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_featured":"1","show_post_meta":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","subtitle":""},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7772","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analiz"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/berru.org\/wp-content\/uploads\/2025\/08\/boykot-veotesi-1280x720-1.jpg","_links":{"self":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/7772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/comments?post=7772"}],"version-history":[{"count":1,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/7772\/revisions"}],"predecessor-version":[{"id":7813,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/7772\/revisions\/7813"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/media\/7812"}],"wp:attachment":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/media?parent=7772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/categories?post=7772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/tags?post=7772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}