Sabah ba\u015fka bir olayla uyan\u0131yor, \u00f6\u011flen ba\u015fka bir g\u00fcndemle kar\u015f\u0131la\u015f\u0131yor, ak\u015fam ise bamba\u015fka bir tart\u0131\u015fman\u0131n i\u00e7inde buluyoruz kendimizi. Dijital d\u00fcnyada her \u015fey bu kadar h\u0131zl\u0131 akarken, ya\u015fananlar\u0131n a\u011f\u0131rl\u0131\u011f\u0131n\u0131 ger\u00e7ekten hissedip hissetmedi\u011fimiz bile belirsizle\u015fiyor. Olan biteni g\u00f6r\u00fcyor, payla\u015f\u0131yor, tepki veriyoruz; ama \u00e7o\u011fu zaman durup d\u00fc\u015f\u00fcnmeye f\u0131rsat bulam\u0131yoruz.<\/p>\n
Bu durumda biz politik gen\u00e7ler olarak; bu h\u0131z\u0131n i\u00e7inde m\u00fccadele ki\u015fili\u011fimizi ne kadar koruyabiliyoruz? Ya da onu ne \u00f6l\u00e7\u00fcde ya\u015fayabiliyoruz? Toplumsal olaylara kar\u015f\u0131 geli\u015ftirdi\u011fimiz politik refleks ger\u00e7ekten bize mi ait, yoksa dijital ak\u0131\u015f\u0131n belirledi\u011fi s\u0131n\u0131rlar i\u00e7inde mi \u015fekilleniyor? En can al\u0131c\u0131 soru ise \u015fu: Verdi\u011fimiz tepkilerin ne kadar\u0131 ger\u00e7ekten kendi duygu ve d\u00fc\u015f\u00fcncelerimizi yans\u0131t\u0131yor?<\/p>\n
Dijital medya, ilk bak\u0131\u015fta bilginin k\u0131sa s\u00fcrede eri\u015filebildi\u011fi, insanlar\u0131n sesini duyurabildi\u011fi bir zemin gibi g\u00f6r\u00fcnse de zamanla tepki vermenin kendisine d\u00f6n\u00fc\u015fm\u00fc\u015f durumda. \u015e\u00fcphesiz sanal medya kendi ba\u015f\u0131na negatif bir durumu ifade etmez; \u00f6z\u00fcnde n\u00f6tr bir ara\u00e7t\u0131r. Yani kullan\u0131m bi\u00e7imine g\u00f6re olumlu ya da olumsuz olarak de\u011ferlendirilebilir.<\/p>\n
Ancak g\u00fcn\u00fcm\u00fczde sanal medyan\u0131n insan\u0131n duygu ve d\u00fc\u015f\u00fcncelerine, hatta b\u00fct\u00fcn ya\u015fam\u0131na olan etkisinin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde negatif oldu\u011fu da yads\u0131namaz bir ger\u00e7ektir. Olumlu yanlar\u0131n\u0131 g\u00f6z ard\u0131 etmemek laz\u0131m; ama ger\u00e7eklikle ba\u011f\u0131n kopmas\u0131, yani sosyal hayat\u0131n sanalla\u015fmas\u0131, insan ya\u015fam\u0131nda yeni bir k\u0131r\u0131lma noktas\u0131na i\u015faret etmektedir. Sanall\u0131k, bir bak\u0131ma insan\u0131n hayal g\u00fcc\u00fcn\u00fcn ve idealizminin modernite kal\u0131plar\u0131 aras\u0131nda s\u0131k\u0131\u015f\u0131p kalm\u0131\u015f bir yan\u0131lsamas\u0131d\u0131r.<\/p>\n
Frankfurt Okulu d\u00fc\u015f\u00fcn\u00fcrlerinden Theodor Adorno<\/span><\/span>\u2019nun me\u015fhur \u201cYanl\u0131\u015f hayat, do\u011fru ya\u015fanmaz\u201d s\u00f6z\u00fc, ”Sanal hayat, ger\u00e7ek ya\u015fanmaz” bi\u00e7iminde de okunabilir. Bence bu ifade, hakikatin yal\u0131n bir yorumu olabilir.<\/p>\n \u00d6yle ki, bir olaya ili\u015fkin payla\u015f\u0131m yapmak, \u00e7o\u011fu zaman yeterli bir kar\u015f\u0131l\u0131k gibi alg\u0131lan\u0131yor. Oysa payla\u015f\u0131m yapmak, o olayla ger\u00e7ek bir ba\u011f kurmak ya da sorumluluk almak anlam\u0131na gelmiyor. Tam da burada \u201ct\u0131klama aktivizmi\u201d dedi\u011fimiz durum devreye giriyor. Ya\u015fanan olaylara kar\u015f\u0131 fazla \u00e7aba sarf etmeksizin be\u011fenmek, retweetlemek ya da \u201csen de ekle\u201d tarz\u0131 \u015fablon hik\u00e2yeler payla\u015fmak, ger\u00e7ek politik kat\u0131l\u0131m\u0131n yerini almaya ba\u015fl\u0131yor. Toplumsal vicdan, kolektif bir s\u00fcre\u00e7 olmaktan \u00e7\u0131k\u0131p dijital bir g\u00f6r\u00fcn\u00fcrl\u00fck\/yan\u0131lsama prati\u011fine d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n Bug\u00fcn m\u00fccadele etmek, ge\u00e7mi\u015fe k\u0131yasla \u00e7ok daha g\u00f6r\u00fcn\u00fcr; ancak ayn\u0131 zamanda \u00e7ok daha y\u00fczeysel bir h\u00e2l alm\u0131\u015f durumda. \u00d6zellikle ac\u0131, \u00f6fke ve yas gibi kolektif tepki gerektiren duygular sanal medyada h\u0131zla t\u00fcketiliyor. B\u00fcy\u00fck bir olay ya\u015fan\u0131yor, k\u0131sa s\u00fcreli bir g\u00fcndem olu\u015fuyor ve ard\u0131ndan ba\u015fka bir konuya ge\u00e7iliyor. Hatta g\u00fcn\u00fcn sonunda birer \u201ccaps\u201d (mizah i\u00e7erikli g\u00f6rsel) malzemesine d\u00f6n\u00fc\u015ft\u00fcr\u00fcl\u00fcyor.<\/p>\n \u00d6te yandan dijital d\u00fcnyadaki h\u0131z, ya\u015fananlar \u00fczerine d\u00fc\u015f\u00fcnmeyi ve olaylar aras\u0131ndaki ba\u011flant\u0131lar\u0131 kurmay\u0131 zorla\u015ft\u0131r\u0131yor. Her \u015fey tekil olaylarm\u0131\u015f gibi alg\u0131lan\u0131yor; sorunlar\u0131n arkas\u0131ndaki yap\u0131sal nedenler g\u00f6r\u00fcnmez h\u00e2le geliyor. S\u00fcrekli akan haberler ve i\u00e7erikler, bireyin durup d\u00fc\u015f\u00fcnmesini de engelliyor. Bir meseleyi anlamaya \u00e7al\u0131\u015f\u0131rken yeni bir krizle kar\u015f\u0131la\u015f\u0131yoruz. Bu durum, bizi olan biteni yaln\u0131zca izleyen bir konuma itiyor. Tepki, s\u00fcreklili\u011fi olan bir tutum olmaktan \u00e7\u0131k\u0131p anl\u0131k reflekslere d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n G\u00fcn\u00fcm\u00fcz\u00fcn h\u0131zla t\u00fcketilen dijital k\u00fclt\u00fcr\u00fc, bireyin m\u00fccadele ki\u015fili\u011fini ve toplumsal olaylara kar\u015f\u0131 geli\u015ftirdi\u011fi politik refleksi a\u015f\u0131nd\u0131r\u0131yor. \u00d6fke k\u0131sa s\u00fcreli bir etkile\u015fime, yas birka\u00e7 saatlik bir g\u00fcndeme, dayan\u0131\u015fma ise bir etikete indirgenebiliyor. Hissetmek ile harekete ge\u00e7mek aras\u0131ndaki ba\u011f zay\u0131fl\u0131yor. Bu indirgeme s\u00fcreci, m\u00fccadeleyi bir pratik olmaktan \u00e7\u0131kar\u0131p bir performansa d\u00f6n\u00fc\u015ft\u00fcrme riskini ta\u015f\u0131yor. \u00c7\u00fcnk\u00fc dijital alanda var olmak \u00e7o\u011fu zaman yeterliymi\u015f gibi g\u00f6r\u00fcn\u00fcyor. Oysa politik \u00f6zne olmak yaln\u0131zca g\u00f6r\u00fcnmek de\u011fil; s\u00fcreklilik g\u00f6stermek, ba\u011f kurmak ve kolektif bir g\u00fc\u00e7 in\u015fa etmektir. H\u0131z\u0131n ve t\u00fcketim k\u00fclt\u00fcr\u00fcn\u00fcn belirledi\u011fi s\u0131n\u0131rlar i\u00e7inde kal\u0131nd\u0131\u011f\u0131nda, m\u00fccadele de bu s\u0131n\u0131rlar i\u00e7inde anlam kazan\u0131r. Bu nedenle mesele yaln\u0131zca neye tepki verdi\u011fimiz de\u011fil, nas\u0131l ve hangi zeminde tepki verdi\u011fimizdir.<\/p>\n S\u00f6z\u00fcn \u00f6z\u00fc, e\u011fer m\u00fccadeleyi yaln\u0131zca payla\u015f\u0131m ve g\u00f6r\u00fcn\u00fcrl\u00fck d\u00fczeyinde ya\u015famaya devam edersek, kendi pasifli\u011fimizi me\u015frula\u015ft\u0131rm\u0131\u015f oluruz. Sistem tam da bunu istiyor: \u00d6fkelenen ama harekete ge\u00e7meyen, konu\u015fan ama \u00f6rg\u00fctlenmeyen, tepki veren ama risk almayan bireyler. M\u00fccadele ki\u015fili\u011fi konforla bir arada var olamaz.<\/p>\n Ya dijital ak\u0131\u015f\u0131n i\u00e7inde eriyip giden bir izleyici olaca\u011f\u0131z ya da h\u0131z\u0131n dayatt\u0131\u011f\u0131 bu y\u00fczeyselli\u011fi reddedip ger\u00e7ek bir politik duru\u015f geli\u015ftirece\u011fiz. Aksi h\u00e2lde yaln\u0131zca g\u00fcndemi takip eden ama tarihsel ak\u0131\u015fa etki edemeyen bir ku\u015fak olarak kalaca\u011f\u0131z.<\/p>\n \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Rojin \u00c7ift\u00e7i\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Sabah ba\u015fka bir olayla uyan\u0131yor, \u00f6\u011flen ba\u015fka bir g\u00fcndemle kar\u015f\u0131la\u015f\u0131yor, ak\u015fam ise bamba\u015fka bir tart\u0131\u015fman\u0131n i\u00e7inde buluyoruz kendimizi. Dijital d\u00fcnyada her \u015fey bu kadar h\u0131zl\u0131 akarken, ya\u015fananlar\u0131n a\u011f\u0131rl\u0131\u011f\u0131n\u0131 ger\u00e7ekten hissedip hissetmedi\u011fimiz bile belirsizle\u015fiyor. Olan biteni g\u00f6r\u00fcyor, payla\u015f\u0131yor, tepki veriyoruz; ama \u00e7o\u011fu zaman durup d\u00fc\u015f\u00fcnmeye f\u0131rsat bulam\u0131yoruz. Bu durumda biz politik gen\u00e7ler olarak; bu h\u0131z\u0131n i\u00e7inde […]<\/p>\n","protected":false},"author":2,"featured_media":10339,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"1","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_featured":"1","show_post_meta":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","subtitle":""},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"footnotes":""},"categories":[1,55,50,51],"tags":[],"class_list":["post-10337","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analiz","category-dijital-medya","category-genc-kalemler","category-guncel"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/berru.org\/wp-content\/uploads\/2026\/02\/50389552-485a-468d-88ea-e90545af9aeb.jpeg","_links":{"self":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/10337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/comments?post=10337"}],"version-history":[{"count":2,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/10337\/revisions"}],"predecessor-version":[{"id":10342,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/posts\/10337\/revisions\/10342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/media\/10339"}],"wp:attachment":[{"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/media?parent=10337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/categories?post=10337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berru.org\/index.php\/wp-json\/wp\/v2\/tags?post=10337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBu durum yaln\u0131zca bireysel bir dikkat da\u011f\u0131n\u0131kl\u0131\u011f\u0131 sorunu de\u011fildir; ayn\u0131 zamanda \u00e7a\u011f\u0131m\u0131z\u0131n ileti\u015fim ve \u00fcretim bi\u00e7imleriyle yak\u0131ndan ili\u015fkilidir. Dijital platformlar, kullan\u0131c\u0131y\u0131 s\u00fcrekli etkile\u015fim h\u00e2linde tutmak \u00fczere tasarlanm\u0131\u015ft\u0131r. Algoritmalar uzun s\u00fcreli d\u00fc\u015f\u00fcnmeyi de\u011fil, h\u0131zl\u0131 tepkiyi ve anl\u0131k kat\u0131l\u0131m\u0131 te\u015fvik ediyor. B\u00f6yle bir yap\u0131da politik refleks de ka\u00e7\u0131n\u0131lmaz olarak h\u0131z\u0131n ve g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn mant\u0131\u011f\u0131na g\u00f6re \u015fekillenmeye ba\u015flar. Tepki i\u00e7erik \u00fcretimine, dayan\u0131\u015fma etkile\u015fim oran\u0131na, politik duru\u015f ise dijital temsile indirgeniyor.<\/p>\n